shows & press

CURRENT SHOWS

The work I have on hand is kept at my studio.

The studio is located at 18th & Treat Streets in the Mission.

If you'd like to see the work available for purchase, let me know using this site's Contact page.






  

PRESS / REVIEWS

" ...  bright, flickering patterns of his applique-on-found-glass output somehow convey to me a feeling of camp guignol: vibrantly psychedelic yet rigidly hallucinogenic -- kind of like what I imagine pill-popping housewives from '50s movies might see when the high kicks in and the children are screaming from the solarium. On Easter. If those housewives were trapped in gay men's bodies. Strangely, the works are also almost soothing to get lost in -- they register any changes in light impeccably; I especially like them on golden-sunny late afternoons -- and they're pretty like a little girl's hat. His latest batch of works, which Mosley calls "portraits," is receiving a month long showing ..."
- review of Portraits, solo show at Magnet
  San Francisco CA, May 2009


"... favorite of the series is Meat Tryptich, an acrylic and metal leaf on medicine cabinet shelves, depicting two very hunky guys in ... Speedos, one panel on the left and another on the right, with a panel in the middle of a butcher's illustration of parts of a huge side of beef ... draw your own conclusions. I have mine."
- review of Ladies & Gentlemen, Girls & Boys, solo show at Magnet
  San Francisco CA


"... this work is pop porn Klimt."
- review of Sex Worker Film & Arts Festival, group show at the Center for Sex & Culture
  San Francisco CA

"... Mosley's outlined caricatures and idealizations are painted mostly on abandoned windows in their original frames.  His painting technique renders cut out shapes reminiscent of experiments with mechanical reproduction in art factories. The panes of glass that the artist has chosen to use as his templates also transmit their own information as artifacts."
- review of Off The Grid, group show with Jerry Frost & Elliott Linwood
  San Francisco CA






Breck, 2004