reviews

" ...  bright, flickering patterns of his applique-on-found-glass output somehow convey to me a feeling of camp guignol: vibrantly psychedelic yet rigidly hallucinogenic -- kind of like what I imagine pill-popping housewives from '50s movies might see when the high kicks in and the children are screaming from the solarium. On Easter. If those housewives were trapped in gay men's bodies. Strangely, the works are also almost soothing to get lost in -- they register any changes in light impeccably; I especially like them on golden-sunny late afternoons -- and they're pretty like a little girl's hat. His latest batch of works, which Mosley calls "portraits," is receiving a month long showing ...

     review of Portraits, solo show
  San Francisco CA

"... favorite of the series is Meat Triptych, an acrylic and metal leaf on medicine cabinet shelves, depicting two very hunky guys in ... Speedos, one panel on the left and another on the right, with a panel in the middle of a butcher's illustration of parts of a huge side of beef ... draw your own conclusions. I have mine."
 
review of Ladies & Gentlemen, Girls & Boys, solo show

  San Francisco CA

"... this work is pop porn Klimt."
 
review of work in group show w/ Annie Sprinkle & Carol Leigh

  The Center for Sex & Culture
  San Francisco CA

"... Mosley's outlined caricatures and idealizations are painted mostly on abandoned windows in their original frames.  His painting technique renders cut out shapes reminiscent of experiments with mechanical reproduction in art factories. The panes of glass that the artist has chosen to use as his templates also transmit their own information as artifacts."
  
review of work in Off The Grid, group show with Jerry Frost & Elliott Linwood

   San Francisco CA







Butterick 10
December 2011